top of page
Обложка 2019 09 3.jpg

Изучение женских образов в современном кинематографе

Гудкова Ксения Евгеньевна
Сибирский федеральный университет


Аннотация
Предмет исследования – методология изучения женских образов в современном кинематографе. Ос-
новной метод исследования – анализ литературных источников по исследуемой теме. В статье рассма-
тривается специфика изучения женских образов в современном кинематографе. Исследуются свойства
и особенности понятия художественного образа, проводится анализ методологии, применяемой в суще-
ствующих источниках, касающихся изучения женских образов в кино. На основе полученных данных пред-
лагается и обосновывается эффективный способ применения методологии по отношению к изучаемому
предмету. Результаты исследования могут быть использованы в дальнейшем изучении женских образов
в произведениях изобразительного искусства, а также для анализа художественных образов в кинемато-
графе, обладающих схожими характеристиками.
Ключевые слова: современная визуальная культура, визуальное искусство, художественный образ,
женский образ, кинематограф.


https://doi.org/10.31804/2542-1816-2019-3-3-35-42


Specific Methodology for the Studies of Female Images in Modern Cinema


Gudkova Ksenia Evgenievna
Siberian Federal University


Abstract
The subject of this study – female images in modern cinema. The purpose of the study is determination
of the most effective methodology for the study of female images in movies. The main research method is the
analysis of literary sources related to the subject of the study. The article deals with the specifics of studying female
images in modern cinema. This paper explores the properties and features of artistic image concept, analyzes the
methodology used in existing sources concerning the study of female images in the cinema. Based on information
received the study proposes and justifies an effective way of applying the methodology in relation to the studied
subject. The further plan is to use the results in different studies of woman images as well as for the analysis of
artistic images in cinema, with similar characteristics.


Key words: modern visual culture, visual art, artistic image, female image, cinema

References


Al'chuk, A. Zhenshhina i vizual'nye znaki [Woman and Visual Signs] M: Ideja-Press, 2000. 260 p.
[In Russian]
Arnhejm, R. Iskusstvo i vizual'noe vosprijatie [Art and Visual Perception]. M.: «Arhitektura-S», 2012. 392
p. [In Russian]
Avdeeva Yu.N., Degtyarenko K. A., Shpak A. A. (2017) Specifics of Artistic Culture of the Krasnoyarsk
Territory (Krai) Based on Artwork Analysis. Journal of Siberian Federal University. Humanities & Social
Sciences, 9 (10), 1294-1307.
Bezgodova Ju.S. (2008) The Transition of an Artistic Image from Material to Index Status: a Pictorial
Portrait of Artistic Work. Journal of Siberian Federal University. Humanities & Social Sciences, 3 (1),
423-435
Gerasimenko, I. E. «Muzhskoj vzgljad» i teorija feministskogo kino [Masculine View and the Theory
of Feminist Cinema]. // Gumanitarnye vedomosti TGPU im. L. N. Tolstogo. № 4(24). 2017 – P. 42-
51. [in Russian]
Gudkova E. E., Sertakova E. A. (2015) Znachenie arhetipa «Angel v smiritel'noj rubashke» dlya ponimaniya
specifiki sovremennogo russkogo social'no-kul'turnogo prostranstva [The meaning of the
archetype “Angel in a straitjacket” for understanding the specifics of the modern Russian socio-cultural
space]. In Sociodinamika [Sociodynamics], 4, 64-74. DOI: 10.7256/2409-7144.2015.4.15060
URL: https://nbpublish.com/library_read_article.php?id=15060
Hloponina, O. O. Transformacija zhenskoj obraznosti v sovetskom kinematografe [Transformation
of Female Imagery in Modern Cinema] 1920-h – 1930-h gg.// Znanie. Ponimanie. Umenie [Knowledge,
understanding, skill], № 2. 2017. – P. 140-151. [In Russian]
Kistova A. V., Pimenova N. N., Bukova M. I. (2018) Sovremennoe sostoyanie dekorativno-prikladnogo
iskusstva evenkov – korennyh narodov Sibirskoj Arktiki [The current state of the decorative and
applied art of the Evenki – indigenous peoples of the Siberian Arctic] . Severnye Arhivy i Ekspedicii
[Northern Archives and Expeditions], 2 (1), 49-56.
Kistova A. V., & Tamarovskaya A. N. (2015) Architectural Space as a Factor of Regional Cultural Identity.
In Journal of Siberian Federal University. Humanities & Social Sciences, 4, (8), 735-749.
Kistova, A. V., Pimenova, N. N., Reznikova, K. V., Zamaraeva, J. S., Koptseva, N. P., Seredkina, N. N.,
& Filko, A. (2016). Place management: Decoding the visual image of a Siberian city. Journal of
Applied Economic Sciences, 11(6), 1144-1156.

Klykova, A. V. (2009) Iconographic Research of Paul Gauguin’s Masterpiece «Caricature of Tahiti Governor
Lacascade». Journal of Siberian Federal University. Humanities & Social Sciences, 4 (2),
560-579.
Koblenkova, D. V. «Zhenskie» mify v shvedskoj literature i kinematografe. «Persona» I. Bergmana
i «Jelektra. Zhenshhina 2070 goda» I. Lujuhanssona ["Female" myths in Swedish literature and
cinema. "Person" by I. Bergman and "Electra. Woman of 2070" by I. Luyukhansson]. // Vestnik
Nizhegorodskogo universiteta im. N. I. Lobachevskogo, № 2(1). 2014. – P.393-399. [In Russian]
Kolesnik M. A., Koptseva N. P., Libakova N. M., Sergeeva N. A., Sertakova E. A. (2017) Analysis of the
Illustrations by Ivan Yakovlevich Bilibin (1876-1942) to Russian Fairy Tales. SGEM International Multidisciplinary
Scientific Conference on Social sciences and Arts, 6-2, 3-10.
Kolesnik, M. A., Libakova, N. M., & Sertakova, E. A. E. (2018). Art education as a way of preserving the
traditional ethnocultural identity of indigenous minority peoples from the North, Siberia and the Far
East. Novosibirsk State Pedagogical University Bulletin, (4), 233-247.
Koptseva N. P. (2006) Образ Абсолюта в философии Древнего Египта. Вестник Красноярского
государственного университета. Гуманитарные науки, 10, 21-25.
Koptseva N. P., Bralkova A. V., & Gerasimova A. A. et al. (2015) Novaya art-kritika na beregah Eniseya
[New art critic on the banks of the Yenisei. Krasnoyarsk]. Krasnoyarsk, 2015.
Koptseva, N. P., & Nevol'ko, N. N. (2012). Vizualizaciya etnicheskih tradicij v zhivopisnyh i graficheskih
proizvedeniyah iskusstva hakasskih masterov [Visualization of ethnic traditions in pictorial
and graphic works of art by Khakass masters]. In Iskusstvo i obrazovanie [Art and Education], (1),
27-27.
Koptseva, N. P., & Reznikova, K. V. (2015) Tri kartiny Zdislava Beksinski: kak vozmozhnost' iskusstvo
posle Osvencima? [Three paintings by Zdzislaw Beksinski: as an opportunity art after Auschwitz?]
In Vestnik Tomskogo gosudarstvennogo universiteta [Bulletin of Tomsk State University], 400, 121-
133.
Korte, G. Vvedenie v sistemnyj kinoanaliz [Introduction to the System Cinema Analysis]. M.: Izd. Dom
Vysshej shkoly jekonomiki , 2018. – 360 p. [In Russian]
Libakova, N. M., & Kopceva, N. P. (2012). Formirovanie rossijskoj kul'turnoj identichnosti v obrazovatel'noj
deyatel'nosti sovremennogo universiteta posredstvom izucheniya istorii russkogo izobrazitel'nogo
iskusstva [Formation of the Russian cultural identity in the educational activities of the
modern university through the study of the history of Russian art]. Pedagogika iskusstva [Art pedagogy],
(4), 7-29.
Libakova, N. M. (2009) Specific Nature and Applied Methodology of Gender Theory in Cultural Studies.
Journal of Siberian Federal University. Humanities & Social Sciences, 4 (2), 580-586.
Libakova, N. M. (2017) Gendernye obrazy v skazkah korennyh malochislennyh narodov Severa Krasnoyarskogo
kraya v kontekste formirovaniya pozitivnoj etnicheskoj identichnosti [Gender images
in fairy tales of indigenous peoples of the North of the Krasnoyarsk Territory in the context of the
formation of a positive ethnic identity.]. Specifika etnicheskih migracionnyh processov na territorii
Central'noj Sibiri v XX-XXI vekah: opyt i perspektivy [The specifics of ethnic migration processes in
the territory of Central Siberia in the XX-XXI centuries: experience and prospects], 196-203.
Libakova, N. M., & Sertakova E. A. (2017) Russian and International Projects in the Field of the Indigenous
Peoples’ Decorative and Applied Art Development. Journal of Siberian Federal University.
Humanities & Social Sciences, 10 (10), 1525-1541.
Metlyaeva S. V. (2017) Kul'turnaya cennost' muzykal'no-ispolnitel'skih osobennostej kompozitora [Cultural
value of the composer's musical and performing features]. In Sibirskij antropologicheskij zhurnal
[Siberian Anthropological Journal], 4 (12), 13-20.
Mitchell, U. Dzh.T. Ikonologija. Obraz. Tekst. Ideologija [Ikonology: Image, Text, Ideology]. Moskva;
Ekaterinburg: Kabinetnyj uchenyj, 2017. – 240 p. [In Russian]

Moskaljuk, M. V. Zhivopis' Sibiri vtoroj poloviny XX – nachala XXI veka v kontekste vizualizacii kul'tury:
monografija [The Painting of Siberia in the Second Half of the XXth century – the beginning of
the XXIth century in the Context of Visual Culture]. Krasnojarsk: Sib. feder. Un-t, 2012. – 172 p.
[In Russian]
Mulvey, L. Visual Pleasure and Narrative Cinema, in Screen 16 (3), autumn, 1975, pp.6 – 18.
Nevolko, N. N. (2011) The Historiographical Review of the Scientific Literature of the Late XIX to
the First Decade of the XXI Century Concerning the Problem of Ethnic Identification of the
Khakass Ethnos. Journal of Siberian Federal University. Humanities & Social Sciences, 6 (4),
823-836.
Nikitina, M. A., & Pimenova, N. N. (2014). Obraz zhizni Rossii v nachale XXI veka na materiale animacii
studii" Mel'nica" [Lifestyle of Russia at the beginning of the XXI century on the material of the animation
studio "Mill"]. Elektronnyj nauchno-prakticheskij zhurnal Kul'tura i obrazovanie [Electronic
scientific and practical journal Culture and Education], (2), 49-49.
Novikova, E. D. Strah i zhelanie: Obraz «Rokovoj zhenshhiny» v fil'mah-nuar 40-h i nachala 50-h godov
[Fear and Desire: The Image of the Femme Fatale in Noir Films of the 40s and early 50s.] // Artikul't,
№ 17(1). 2015. – P. 45-54. [In Russian]
Pchelkina D. S. (2017) Iskusstvo kak oblast' konstruirovaniya gendera i gendernoj reprezentacii [Art
as an area of gender design and gender representation]. In Sibirskij antropologicheskij zhurnal
(Siberian anthropological journal), 4 (12), 21-34.
Pimenova N. N. (2006) Russkaya izba kak proizvedenie iskusstva: svojstvo reprezentativnosti [Russian
izba as a work of art: the property of representativeness.]. Vestnik Krasnoyarskogo gosudarstvennogo
universiteta. Gumanitarnye nauki [Bulletin of the Krasnoyarsk State University. Humanitarian
sciences], 10, 138-144.
Potapova, E. N. Rol' jemansipacii i feminizacii v formirovanii zhenskogo obraza na primere animacii
«The Walt Disney Company» [Emansipation and Feminiation Role in Female Image Formation in
«The Walt Disney Company» Animation].// Filologicheskie nauki. Voprosy teorii i praktiki, № 5(71).
2017. – P. 130-133. [In Russian]
Potehina, E. A. Zhenshhina-vamp i rokovaja zhenshhina kak kul'turnye modeli v amerikanskom i rossijskom
kinematografe [Vamp and Femme Fatale as Cultural Models in American and Russian Cinema].
// Paradigma: filosofsko-kul'turologicheskij al'manah. 2017. – P.105-121. [In Russian]
Pozdnyakova, O. A., & Reznikova, K. V. (2013). Osobennosti sub"ektov hudozhestvennoj kinokommunikacii
[Features subjects of the art of film communication]. In Sovremennye problemy nauki
i obrazovaniya [Features subjects of the art of film communication], (4), 385-385.
Razumovskaya V. A. (2010) Information Entropy of Literary Text and its Surmounting in Understanding
and Translation. In Journal of Siberian Federal University. Humanities & Social Sciences, 2 (3),
259-267.
Reznikova K. V. (2015) “The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth.
In Journal of Siberian Federal University. Humanities & Social Sciences, 1 (8), 156-181.
Reznikova K. V., Koptseva N. P., Razumovskaya V. A., Kirko V. I. (2017) Indian Mausoleums as The
Representatives of the Islamic Religion in the Era of the Great Mughals. SGEM International Multidisciplinary
Scientific Conference on Social sciences and Arts, 6-2, 19-34.
Ruzanova D. V., Nikitina G. A., Sertakova E. A. (2019) Vizualizaciya obraza temnokozhego personazha
v sovremennom kinematografe [Visualization of the image of a dark-skinned character in modern
cinema.]. Specifika etnicheskih migracionnyh processov na territorii Central'noj Sibiri v XX-XXI
vekah: opyt i perspektivy [The specifics of ethnic migration processes in the territory of Central
Siberia in the XX-XXI centuries: experience and prospects], 283-287.
Semenova, A. A., Soshenko M. V. (2011) Image of Siberia in Artist Aleskander Surikov’s Works. Journal
of Siberian Federal University. Humanities & Social Sciences, 12 (4), 1743-1766.

Seredkina N. N. (2017) Obraz yakutskoj etnokul'turnoj gruppy v sovremennyh hudozhestvennyh praktikah
[The image of the Yakut ethnocultural group in modern artistic practices.]. Specifika etnicheskih
migracionnyh processov na territorii Central'noj Sibiri v XX-XXI vekah: opyt i perspektivy [The
specifics of ethnic migration processes in the territory of Central Siberia in the XX-XXI centuries:
experience and prospects], 89-91.
Sertakova, E. A. (2014). Konceptual'nye predstavleniya o gorode v Drevnej Rusi (na materiale analiza
drevnerusskoj knizhnoj miniatyury) [Conceptual ideas about the city in ancient Russia (based on
the analysis of the Old Russian book miniature).]. Sovremennye problemy nauki i obrazovaniya
[Modern problems of science and education], (4), 599-599.
Shpak A. A. (2017) Aspekty teoreticheskogo podhoda v kuratorskih praktikah [Aspects of the theoretical
approach in curatorial practices]. In Sibirskij antropologicheskij zhurnal [Siberian Anthropological
Journal], 4 (12), 53-66.
Sitnikova A. A., & Zhukovsky V. I. (2018) Visualization of the Concept of State in the Architecture of the
Moscow Cathedral of the Intercession on the Moat (1555-1561. Journal of Siberian Federal University.
Humanities & Social Sciences, 9 (11), 1513-1528.
Smagina, S. A. Publichnaja zhenshhina ili publichnaja lichnost'? Zhenskie obrazy v kino [Woman
of Easy Virtue or a Public Person? Female Images in the Cinema] . M: Izdatel'stvo «Kanon+» ROOI
«Reabilitacija», 2019. – 336 p. [In Russian ]
Tarasova, M. V. Teorija i praktika dialoga zritelja i proizvedenija iskusstva: monografija [Theory and
Practice of the Dialogue between the Viewer and Peace of Art: a Monograph]. Krasnojarsk: Sib.
feder. un-t, 2015. – 236 p. [In Russian ]
Turovskaja M. Zhenshhina i kino [Woman and Cinema] // Iskusstvo kino, № 6, 1991 – P. 131-137. [In
Russian]
Zamaraeva Y. S. (2010) Perekhod s material'nogo v indeksnyj status hudozhestvennogo obraza portretnogo
zhivopisnogo proizvedeniya iskusstva [Transition from the material to the index status of
the artistic image of the portrait pictorial work of art.]. Vestnik Krasnoyarskogo gosudarstvennogo
universiteta. Gumanitarnye nauki [Bulletin of the Krasnoyarsk State University. Humanitarian sciences],
10, 144-151.
Zhukovskij V. I., Koptseva N. P. Propozicii teorii izobrazitel'nogo iskusstva [Propositions of the theory
of fine art.]. Krasnoyarsk, 2004.
Zhukovskij V. I., Pivovarov D.V, Kopceva N. P. Vizual'naya sushchnost' religii [P. The visual essence
of religion]. Krasnoyarsk, 2006.
Zhukovskij, V., & Koptseva, N. P. (2010). Iskusstvo kak zhiznennaya neobhodimost'. Proizvedenie izobrazitel'nogo
iskusstva [Art as a vital necessity. The work of fine art]. Iskusstvo i obrazovanie [Art
and Education], (3), 5-29.
Zhukovskij, V. I. Teorija izobrazitel'nogo iskusstva [Fine Art Theory]. Aletejja, 2011. – 536 p. [In Russian]

Комиксы
bottom of page